Posted on Thursday, August 30, 2012 at 4:37PM
Something primitive animated the darkness of the Tate Modern’s recently opened Tanks. Through the interplay of luminous form and motion, ambiguity in visual perception is explored and manipulated in an unfolding interactive experience.
These scans capture the shadows cast across the floor and walls of the refurbished tanks as Glynn’s robotic puppet glows and dances with members of the audience. ‘Fearful Symmetry' inhabited the darkness of the Tanks at Tate Modern as part of its Undercurrent Programme.